Gabriel Frey

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TRIBAL AFFILIATION: Passamaquoddy

MEDIUM: Basketry - Ash

ARTIST STATEMENT
I am a Passamaquoddy brown ash basketmaker, specializing in utility baskets such as pack basket, market baskets, and purses. I weave each basket solely with brown ash and handcraft leather straps for each. My artistic process includes locating and harvesting basket quality brown ash trees from the woods, processing brown ash logs, and weaving brown ash materials into basket forms. The majority of my tools such as basket molds, gauges, and my shave horse are adaptations of traditional designs. Maintaining the traditional knowledge of Wabanaki basketmakers is an important aspect of my artistic process.

My art is an expression of my worldview.  I am inspired by the natural world and the transformation of a living tree into a functional basket. My baskets are a connection to my past, present, and future, interwoven to create functional pieces of art. When I examine a basket, the basketmaker’s choices in weave and design become evident.  Seeing these choices is like holding a conversation with that basketmaker through time.  As I carve my own creative path in the basketmaking community, I work towards perfecting the function and form of the traditional baskets while evolving each basket to reflect my personal style.  My goal in basketmaking is to produce useable, functional baskets for daily use.  I want a person who buys my basket to use, feel, and experience Wabanaki culture every day.

 

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Theresa Secord

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TRIBAL AFFILIATION: Penobscot

MEDIUM: Basketry - Ash, Basketry - Other

BIOGRAPHY
Theresa Secord (b.1958) is a traditional Penobscot basketmaker and the founding director of the Maine Indian Basketmakers Alliance (MIBA). Over the course of 30 years, Theresa taught more than a dozen apprentices the endangered art of ash and sweetgrass basketry. Now, some of her apprentice’s apprentices- have apprentices!

Theresa has been honored several times for her advocacy. Among the most notable, the National Endowment for the Arts bestowed her with the prestigious lifetime achievement award, the National Heritage Fellowship, in 2016. In 2003, she was awarded the Prize for Creativity in Rural Life by the Women’s World Summit Foundation, granted at the UN in Geneva Switzerland, for helping basket makers rise out of poverty. She has won a number of first place ribbons for her own basketry at the Santa Fe Indian Market, the Eiteljorg Indian Art Market and the Heard Museum

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Frances Soctomah

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TRIBAL AFFILIATION: Passamaquoddy

MEDIUM: Basketry - Ash, Beadwork

ARTIST STATEMENT
As a Passamaquoddy artist, every time I create something new I’m reminded it’s not new. Our families and peoples have been here for over 13,000 years and everything I make is building on their legacies. All that comes from me is made possible from their knowledge of our homelands. To do as my ancestors did is to know them. To see the art they created is to hear their whispers. My work continues to let their stories flow while reminding us of the hardships, strengths, and love that allowed us to be here today as Wabanaki People.

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