Eldon Hanning

TRIBAL AFFILIATION: Mi’kmaq Nation

MEDIUM: Basketry

ARTIST BIOGRAPHY
Eldon Hanning of Mi’kmaq Nation is well known for his utility baskets. A master of ash preparation, Eldon will demonstrate the traditional Micmac method of pounding and splitting ash, which differs greatly from the techniques of the Penobscot and Passamaquoddy ash-pounders. A board member of the Maine Indian Basketmakers Alliance, Eldon has taught hundreds of members of each of the Wabanaki Tribes how to weave potato baskets—a basket which the Wabanaki are well known for.

Gabriel Frey

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TRIBAL AFFILIATION: Passamaquoddy

MEDIUM: Basketry - Ash

ARTIST STATEMENT
I am a Passamaquoddy brown ash basketmaker, specializing in utility baskets such as pack basket, market baskets, and purses. I weave each basket solely with brown ash and handcraft leather straps for each. My artistic process includes locating and harvesting basket quality brown ash trees from the woods, processing brown ash logs, and weaving brown ash materials into basket forms. The majority of my tools such as basket molds, gauges, and my shave horse are adaptations of traditional designs. Maintaining the traditional knowledge of Wabanaki basketmakers is an important aspect of my artistic process.

My art is an expression of my worldview.  I am inspired by the natural world and the transformation of a living tree into a functional basket. My baskets are a connection to my past, present, and future, interwoven to create functional pieces of art. When I examine a basket, the basketmaker’s choices in weave and design become evident.  Seeing these choices is like holding a conversation with that basketmaker through time.  As I carve my own creative path in the basketmaking community, I work towards perfecting the function and form of the traditional baskets while evolving each basket to reflect my personal style.  My goal in basketmaking is to produce useable, functional baskets for daily use.  I want a person who buys my basket to use, feel, and experience Wabanaki culture every day.

 

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Theresa Secord

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TRIBAL AFFILIATION: Penobscot

MEDIUM: Basketry - Ash, Basketry - Other

BIOGRAPHY
Theresa Secord (b.1958) is a traditional Penobscot basketmaker and the founding director of the Maine Indian Basketmakers Alliance (MIBA). Over the course of 30 years, Theresa taught more than a dozen apprentices the endangered art of ash and sweetgrass basketry. Now, some of her apprentice’s apprentices- have apprentices!

Theresa has been honored several times for her advocacy. Among the most notable, the National Endowment for the Arts bestowed her with the prestigious lifetime achievement award, the National Heritage Fellowship, in 2016. In 2003, she was awarded the Prize for Creativity in Rural Life by the Women’s World Summit Foundation, granted at the UN in Geneva Switzerland, for helping basket makers rise out of poverty. She has won a number of first place ribbons for her own basketry at the Santa Fe Indian Market, the Eiteljorg Indian Art Market and the Heard Museum

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Sarah Sockbeson

Photo by Robin Farrin

Photo by Robin Farrin

TRIBAL AFFILIATION: Penobscot

MEDIUM: Basketry - Ash

ARTIST STATEMENT
I have been an artist my entire life. Being Penobscot, I had seen baskets in museums and in the homes of my family members and was always fascinated by them. I was also told stories about my great-grandmother who was a basketmaker in the early 1900s. I wanted to be a part of this tradition, but unfortunately, in my family, it was not passed down to my generation. I still found ways to practice art, and began painting and experimenting with various mediums. I found it was a great outlet for my artistic abilities.

In 2004, I apprenticed with Jennifer Neptune as part of the Maine Arts Commission Traditional Arts Apprenticeship Program. I was honored to have the opportunity to work with a skilled masterweaver, such as Jennifer. Since then, I have sharpened my skills with each basket woven.

Although I am using traditional material and techniques, my style comes from the place I live today, in this modern society. Basketry, to me, is a fine art and in order for the tradition to survive, it must evolve. It is important for my work to appeal to a modern audience, while still remaining true to cultural traditions. I take pride in every project I set out to do, and I am constantly striving to be better at what I do. When I can create something that surpasses my initial vision, it gives me a real sense of accomplishment.

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Frances Soctomah

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TRIBAL AFFILIATION: Passamaquoddy

MEDIUM: Basketry - Ash, Beadwork

ARTIST STATEMENT
As a Passamaquoddy artist, every time I create something new I’m reminded it’s not new. Our families and peoples have been here for over 13,000 years and everything I make is building on their legacies. All that comes from me is made possible from their knowledge of our homelands. To do as my ancestors did is to know them. To see the art they created is to hear their whispers. My work continues to let their stories flow while reminding us of the hardships, strengths, and love that allowed us to be here today as Wabanaki People.

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